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OPINION
Any Hour Now
— By Marc Wilkofsky
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Marc Wilkofsky, copy editor
— Soap Opera Weekly
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October 27, 2009
The GUIDING LIGHT fan weekend in Manhattan was bittersweet, but brought many fun, memorable moments and statements, including some revelations. Here are just a few, to complement Soap Opera Weekly's report in our Nov. 3 issue, which is on stands now.
At the Fan Club luncheon in the Marriott Marquis hotel, Michael O'Leary (ex-Rick), who took the stage with an impression of hard-working fan club president Mindi Schulman, revealed which scene was the toughest scene for him to perform as the show was drawing to a close: "Right before we did our basketball scene, Grant [Aleksander, Phillip] turned to me and said, 'Mikey, this is the last time we're going to do this,' and after he said it, that sunk in. That epitomizes our relationship." He shared a message to the fans: "Thanks for the best job that I've ever had in my life. It gave me the relationships that I'll cherish for the rest of my life." Sitting next to O'Leary in the green room, Aleksander said of his most difficult scene, "For me, it was finding Alan on the bench. It was so sad the whole time. It was an emotional couple of weeks for all of us, as we were wrapping up."
Ron Raines (ex-Alan) noted that there was one emotional scene after another: "There were the ones with Marj [Dusay, ex-Alex] in the hospital. With Phillip, with James; all those little vignettes. There was what was going on in the storyline, and there was also the realization that this is our last scene together; these are our last words together. Even with Rafe, he was going to war, and I'm proud of him," Raines stated in character. "He's doing something I couldn't."
On the subject of how Alan's weak heart, and not just the procedure to save Phillip's life, was the apparent cause of his death, Raines said, "Any time you have an operation, the stronger has to take care of the weaker. My father passed away from a heart attack on the operating table." He opined that there was no reason for Phillip to feel guilt over Alan's death — "He's alive. Can you imagine the guilt I would have had if he had died?" — and was pleased that his last dialogue scene was with Buzz: "Buzz was the one who pushed me: 'You can do this, Alan. You can do this.' So he bucked me up; he was a contemporary, he's a guy that I have a history with, of much respect and then resentment. He put him up — remember when Alan lost everything, and he was staying upstairs at Company? So they were good buddies at that point.
"It was great soap the last three or four months," Raines continued. "When they told me the storyline, they weren't trying to kill me off if the show was going to run. 'Ron, if the show is picked up, we have a way to bring Alan back.' Of course; this is daytime." Regarding the fans, he added, "How do you say, 'Thank you' for all the years? Those words are about all I can say. They've been grieving. It's like losing three or four families in your life. It's a real heavy thing for them, and I'm aware of that. It's something I'm not sure I understand; I have never been in their position, but I know, through the years that I've been here, how incredibly real we are to them, and how opinionated they are about our characters. They know our characters better than we do." For now, he has another character, by the name of Frederik, to handle: "I'm going to be in Detroit in the middle to latter part of November, in Stephen Sondheim's A Little Night Music with Leslie Uggams, at the Michigan Opera Theatre. All of my Detroit fans [can] come see me." For more information on the musical, go to http://www.michiganopera.org/0910/nightmusic.html.
Before the luncheon, another musically inclined GL alum, Karla Mosley (ex-Christina), discussed her song choice at Bradley Cole's (ex-Jeffrey) Fifth Annual Rock Show, "Never Can Say Goodbye": "It was actually Bradley's idea. At first I was like, 'I don't want to do that; that's such a sad song,' and he was like, 'Trust me, I think it's going to be good.' It was fabulous; I loved singing it. I'm adding it to my repertoire."
Lawrence Saint-Victor (ex-Remy), who was Mosley's backup dancer, noted, "I was supposed to dance with E.J. [Bonilla; ex-Rafe], but he didn't show up. But the show must go on." Mosley said, "If Yvonna [Wright, ex-Mel] had been there, we would've dragged her up onstage. I wouldn't have gotten up there without my dancer." The actress said she was very pleased with how her storyline ended: "We talked about [how] we would've loved for [Remy and Christina] to have a baby. We were like, 'It's so perfect.' After all of their comedy of errors, they were finally starting to get it together." Saint-Victor added, "Especially with the baby Max stuff; we were going to name him Clayton the year before, so it's full circle."
On her upcoming Web series, VENICE, in which she plays Ani and co-stars with several daytimers, Jessica Leccia (ex-Natalia) said, "Everyone's well aware that it's going to be around Thanksgiving that it's going to launch. Crystal [Chappell (Gina; ex-Olivia, GL)] has been great about it; she's been really smart. People know that she does good work. I think people will like seeing familiar faces in very different roles; that will be cool for people to see." She was thrilled by the luncheon: "It was extra-special. There are people [for which GL] was a big part of their life." Regarding GL's wrap-up, Leccia said, "It was a very daunting task for the writers to figure out how everything was going to end, and they did a nice job of treating all the characters [well] and giving [viewers] an idea of what the direction was. People got to see what they'd always hoped, even though it was sad." She was delighted with Otalia's closure, noting that the finale featured "happily ever after, babies, children, real love and all that stuff; that was all there."
Robert Newman (ex-Josh), who had been working at both GL and his Sessions musical for months, experienced a particular form of closure when the soap ended, and detailed exactly when his life became easier: "On some emotional level, once we shot that last scene, I remember an overwhelming sense of relief, like it was a whole thing off my shoulders." On the luncheon, he noted, "It's like going to the Emmys; you see people you don't see very often."
One such attendee was Jennifer Roszell (ex-Eleni), who spoke with me about the luncheon at the next day's Daytime Stars and Strikes bowling event, beaming, "A lot of people listened to GUIDING LIGHT when they came to this country, to learn English. We had a Greek family come up and say that they watched the show because we were a Greek family, and that was really moving. We had a lady who [listened to] the first show and watched the last show. She was 89, I think. She needs to be honored; that is really special."
"To think that [the viewers] appreciate us because we are more down-to-earth and real than any other show is quite a compliment," said Kurt McKinney (ex-Matt), who believed the last scene should have been "Josh coming up the steps, Reva turning around, looking at him, boom! Their eyes connect — freeze frame. That to me would have been the end. But all things considered, I thought the ending was beautiful, and everybody had a tie-up."
Gina Tognoni (ex-Dinah) raved about the full-cast shot that was taken on the stage, "Loved that; that was a lot of fun. I was sitting next to Ron Raines, and it was really special. Great group of people." About the luncheon itself, she said, "It was absolutely awesome. I was pleased to see it was sold out. Also, to be able to talk with the fans and tell them how much you've appreciated their dedication over the years, and their acceptance of the good or bad, it was a nice opportunity to say thank you to them." She commented on the final week, "It was such a challenge to tell the perfect story, and I was pleased just to see so many pieces of history remembered. A lot of our favorites were on there — people that we haven't seen in years. It was a great tribute to our show."
Tongoni agreed that the light that fell on Mallet and Dinah in their last scenes was beautiful: "I know! That was God. I love that our last scene was at a church — the Gina side of me likes that — and I thought it was very creative." She revealed what Mallet said to Dinah in their final scene, as the music played and he picked her up and threw her over his shoulder: "I believe he said something like, 'What do you say, one last time?' There was no dialogue, and I remember it was Rob [Bogue] improvising."
Onstage, Bogue told the audience, "They can't take away our experiences, and they can't take away the love that we feel for the cast, they can't take away the friendships that you guys have made, they can't take away our closeness to you and your loyalty toward us. That can't be taken away from us."
Cole called the finale "a tough order to fill for the writers: How do you do something like that? How do you wrap up a show? Try to please everybody. What they decided to do with Jeffrey was to leave a few of the ends untied so that people could wonder what the future would hold for Jeffrey, and what would be down the road." He chuckled about Jeffrey's inability to stop Edmund: "I thought Jeffrey was a better shot than that. There was a moment there where Jonathan, Edmund and Jeffrey were in a hail of bullets, and I just imagined them panning out and seeing a hundred bystanders falling down from bullets. Three of the worst shots in the history of guns." On Jeffrey's final rooftop moments, Cole noted, "The stunt scene I had to do, the roll around the rooftop with that guy, was pretty hairy, because there were no safety nets or anything. That was exhilarating. I think it's poetic that David [Andrew Macdonald, Edmund] and I were yelling at each other across rooftops. We came on the show together."
Tom Pelphrey (ex-Jonathan) was satisfied with the show's final days: "I liked the way they ended it; I thought it brought things to a nice close. They left it open, that something's going to happen down the road. You don't want to shake it up too much at the end. That's just mean," he laughed. He revealed his most challenging scene to be the one in which Reva (Kim Zimmer) gave Jonathan Cassie's home, and it happened to be the last one the actor taped. "I was telling everyone I hadn't been that nervous since my first day of work. I [was] crying like a baby. It was just a nice way to end it, to have my last scene be with Kim. [Casting director] Rob Decina was there, offcamera, to give me a hug."
Regarding whether viewers might follow him as Oakdale's Mick, Pelphrey said, "Some people said they would [jump onto AS THE WORLD TURNS]. It's interesting; it's fun what I'm doing. I've been filming there for three or four weeks already. [There are] good people there; it's really similar to this show. [Executive producer] Chris Goutman is a great guy; it's a good, tight ship." He had a few words to the GL fans: "Thank you for all your support. We hope you keep it coming in whatever form this thing takes."
During the cast introductions, after Raines (Should we call him "Ronye" now?) suddenly came out instead of him, Pelphrey corrected Frank Dicopoulos (ex-Frank) when the luncheon's host said, "That was almost a moment": "That was a moment, Frank. That was a moment."
The moments continued as Fiona Hutchison (ex-Jenna) staged a faux catfight over Buzz with Tina Sloan (ex-Lillian) onstage. Hutchison told me, "People are following me on Twitter, but the reason I haven't said a word yet is I have a story I want to tell, and when I'm ready to tell it, then I'll be on Twitter." (She's on as FiFi_Hutchison, but it looks like she hasn't tweeted yet; keep checking.)
Hutchison's former TV son, John Driscoll (ex-Coop; now YOUNG AND RESTLESS' Chance), was the last actor to leave the ballroom as his former show's final fan club luncheon reached its end. He spoke about GL's final episodes: "For me, being emotionally invested in it, it was great to see everyone having closure. It was good to see all those people working together again. For me, that's always Springfield; I'm never going to forget Springfield." That's a sentiment the hundreds of GL viewers who gathered at the luncheon would likely share.
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While I don't doubt the passion of those who showed up, with the amount of publicity that was with this rally, 30 people seems to not really reflect the suppose large masses, or really make the show that viable to other networks--I read at my own online about people not showing up at another rally. It anything, it shows that while the internet soap fan may be passionate, that they are the minority and not reflective of the soap viewers. You can have over 4,000 people on a message board, but it doesn't always translate into action.
If you've never organized a rally you don't realize how hard these things really are. People don't protest with signs on a public street when their civil rights are being stripped from them. You cna't expect a "mass turnout" for anything including free food on a workday morning. What matters to the networks and the advertisers is letters and phone calls that illustrate that you're watching and responding.
I wonder if it might have been because many of those 4000 do not live in or near NYC and for whom it would have been cost prohibitive to travel there?
Ditto the comment about not living in NYC. I live in the UK and would have been there like a shot if it wasn't a 7 hour flight. I know of another 400 people in the same position as myself, all outside the U.S. No less passionate that the people on the street, just less able to get there!
I guess the first commenter thinks that we all have wings to fly to NYC whenever we want. Since I do not, I have campaigned in other ways: postcards, emails, phonecalls, etc. Think before you speak, and you might find your logic is lacking. There is a lot of love, and a lot of work being put into saving GL. Just because we can't make it to NYC doesn't detract from any of that.
Not to mention all the international individuals who could not make it across their country into ours despite NYC's open arms concerning such. While many of us were unable to rally in person we were there in spirit, we have you on our DVR's we have placed you within the heralds of our praise upon twitters, live journals, blogs, youtube, and everywhere else. We can assure you are and were appreciated and even if there were only 30 of you physically there... there were indeed FOUR THOUSAND of us with you in spirit and intention. While you rallied, we marched on our own with support online. We are not a minority.. Just to be & love. We are a Movement.
I am disabled so making any trip is too hard. That does not in any way take away from my passion to SAVE THE LIGHT and I hope all our efforts are successful. I fear we may truly have to say goodbye...but not without every effort possible. CBS - do you hear us? Lifetime, Oxygen and Sopenet.......please hear us...SAVE THE LIGHT.
We were recognized, we were appreciated, and fans and their signs were seen on television. It was a great day for a rally, and it was great getting to know other fans from all walks of life. Thanks for covering it, Marc!
Here come the masses to tell me why I'm wrong to question. I've worked on rallys, successfully, and know what goes into it, which I why I asked the questions. So you're telling me there's not a single fan in the Pittsburgh area that was able to go? And looking at that website it doesn't seem like another rally was put together (besides no one showing up in Pittsburgh). I don't doubt the passion of the fans (and I'd love to hear about ideas for fans/international fans and fans on the net and a successful business model to go with producing a show). The numbers, to me, don't bring about the same amount of action as say the protests at DAYS years ago.
I've seen Sessions and really did enjoy it. Robert did a great job, but someone needs to tell him, no eye brow pencil, it was WAY distracting! But, other than that, loved the show and the actors in it. As for GL the whole thing is beyond sad and as a viewer since 1985, I feel really betrayed by the show and TPTB. Had they listened to the fans just ONCE, maybe we wouldn't be in cancellation! EW and company just forged ahead, no thought to what the viewers wanted. Sad, very sad!
I think if the show had stayed true to its core and kept the Bauers and old faves like Nola around it would not have been canceled
I have been watching GL for 30 years -since I was 16. Yes, I am sad to see it go, but the writers are making the script more unrealistic by the day. And why do they not write Lizzy's pregnancy into the script. Do they really think she can hide that belly behind her purse, just as they did with Natalia.
WOW I am 43 and have watch GL since I was 4. At one time we had 4 generations watching together. My grandmother was disabled from parkinsons and diabetes. So we would watch tv with her. When visiting her in nursing home shortly before she died she was watching. So grandma, my mother, myself and my daughter watched it. It was around the Amish Reva time. We would laugh because I have Amish neighbors. I am sad to see this show be replaced. The familes are so near and dear to so many world wide. I have seen a lot of old characters coming home to visit before finale. I will say I think the finale should of been a July 4th barbecue week long special. So God Bless America and all the employees of GL
I too have watched GL my entire life. I am 46 now. I remember my mom watched it when I was a pre-schooler, and I watched with her. Then I became hooked myself and I was overjoyed when VCRs became available! Even though I would get angry with the writers at times for writing off people I loved (Jackie Marler, Carrie Marler, Lujack, and Gus just to name a few), my daily schedule has always included GL at 3pm on CBS. It's just a part of my psyche. I don't know how I'll feel on that last day when it really is over. Does any true GL fan really know how they'll feel? Right now I feel like I hope whoever made the decision to end GL at CBS falls into total financial ruin and ends up homeless. Sorry, but I'm not ready to forgive yet.
I was first introduced to Guiding Light as a toddler. It was a 15 minute soap opera on the radio. My grandmother listened to all of radio soaps. When I started school, I would rush home in time to listen to at least Guiding Light. I then followed it to TV. Watching when I could during my working years,and taping once VCR came into use. At age 75 I am still invested in the show and very unhappy thar it is ending. There are so many bad soaps still surviving, I cannot understand how they can continue and Guiding light cannot. I am still hoping someone will decide to save there great characters. I watch other soaps, but when this one ends my soap opera days will also end,as it will with many of mu friends.. r take off the best, who needs the rest
I have been watching GL for about 30 years also and I almost quit watching it, but then saw they were bringing Phillip back and I continued watching and I'm really glad I did. I think GL has been a lot better with all the old characters coming back. Any chance they could get another station to pick it up?
Totally stressed out about GL leaving. I was born in 1935, have listened to GL when it was on the radio (after school)since about 1945 and over the years when home w/small children and not working. Now that I am no longer working, I had hoped that I could continue to watch GL and ATWT and "keep up with my "Family". (I am an only child.... and my children are grown and moved away) With all the "bad news" in "real life" this was a refreshing break in the day!
Isn't the problem about the rally the fact that the handwriting had been on the wall for years and everyone knew it was inevitable the show would be cancelled. Another, factor was the audience detested the production model and the writing team and was not committed to fight one more day for the show if they remained in charge.
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